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Preparing
silk
Before
you begin painting, prepare your silk. This can be lightweight
ideal for scarves, wall plaques, cards, etc, or medium weight
suitable for clothing e.g. beach wraps. If you prefer, you can choose
from pre-cut pieces in packs or our range of ready made silk items.
The
silk needs to be raised above your work surface, ideally on a wooden
frame. The best frames are those that are interchangeable for different
sizes. If you are just starting on a small scale, an embroidery
hoop will suffice. The silk needs to be as taut and as smooth as
possible. Use silk assa pins or steel tempered drawing pins to attach
it to your frame; these should be placed opposite each other to
ensure even tension.
Gutta
outliner
If
you want an outlined design you will need to create barriers to
keep the paint in certain areas. Gutta forms a barrier that the
paint will not spread over. It is available in clear or colours
including gold and silver. The clear will wash away but all the
others are permanent. Silk outliner can be applied straight from
a tube. This allows for fine line work.
Allow
about 30 minutes for the gutta to dry or use a hair dryer to speed
up the process.
Transferring
designs
Pieces
that are already prepared with a guttad design can be a good
way of starting silk painting, but if you are ready to go ahead
with your own design place it underneath your silk. Silk is usually
transparent enough for the design to show through and you can trace
with an ordinary pencil or embroiderers transfer pen.
Silk
paints
Silk
paints come in a range of colours which are intermixable. The range
does not include white, but the colours can be diluted with a medium
to give paler hues. Always follow manufacturers instructions
for fixing. When silk paint comes into contact with the silk it
spreads. This is the essence of silk painting. If you place the
brush on the silk you will see how the paint flows through the fabric.
This can create some interesting effects by itself, just letting
the colours merge together.
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